“Natoker Moto features an intersection of three types of reality”
“Natoker Moto
features an intersection of three types of reality”
“This is the best compliment I can get for my film”
“This is the best compliment I can get for my film”
– Mr. Kim Jung
Hyun, in reply to a comment stating that his film ‘Daddy, Grandpa and My Lady’
(in Indian Panorama – Non Feature film category) is very much like a feature
film.
The film illustrates the intersection and interplay of
three types of reality – the real space, the transition from the real to the
theatrical space and pure theatre
- Director Mr. Debesh
Chatterjee and lead actor Ms. Paoli Dam, speaking on ‘Natoker Moto’.
These were some of the interesting observations made at
the “Meet the Director – Indian Panorama” press conference, held on 26thNovember,
2015 at IFFI 2015.
Speaking on his transition from theatre and his
directorial debut in Bengali cinema, Mr. Debesh Chatterjee said that while the
film is inspired by the life and struggle of the legendary Bengal theatre
actress Kheya Chakraborty, it is not a 100% biopic. He said that he wrote
the script based on three types of reality: that of the the real space, the
transition from the real to the theatrical space, and the pure theatrical
space. Narrating the long and personal journey behind the film, Mr. Chatterjee
said that the film had its origin with his research work on Kheya in 1992,
which led to a book and later to a script for theatre. However, he realized
that theatrical space was not suited to expression of the realities he wanted
to portray, resulting subsequently to ‘Natoker Moto’.
Complimenting Mr. Debesh for his maiden attempt at
direction, the renowned actor Ms. Paoli Dam said she never felt that he was
doing his debut film; she said that he knew his work well; she added that he
had a very clear idea of his script – one which she found to be one of the best
scripts she had taken up. Noting that it was a special and long journey for her
too, Ms. Paoli narrated how she had to take a five-month long break to study
the character and the actor Kheya Chakraborty. The lead actor said that the
film led her to a renewed commitment to dedicate her life to the film
profession. A childhood theatre artist, she revealed that the film gave her a
unique insight into the realm of theatre; she described the experience as an
enrichment that inspires her to work for theatrical dramas. Speaking about her
stints in drama, the actor said: I used to have these sudden goose bumps where
I would find myself lost in my fantasy of acting on stage.
Speaking about ‘Daddy, Grandpa and My Lady’, the director
Kim Jung Hyun said that the film has a very simple and universal theme: irrespective
of age, man’s longing for a woman in his life never disappears. Responding to a question, he said that he is working on
another project set in India. Another of his answers revealed his belief that
there are more commonalities than differences in the way men of different ages
relate to women.
Backgrounders
1. Natoker
Moto (Indian Panorama – Feature)
Natoker Moto depicts the Kolkata
sociocultural circuit spanning the years from 1950 to 1970s. It aspires to show
the struggles a female artist has to go through even after two decades of
globalization. Through an investigation into the sudden demise of a reputed
actress, it an exploration of the ceaseless conflicts a female artist has to
experience as she tries to make a place for herself in a male-dominated world.
Through the film, the Director
portrays the life and struggle of a legendary actress of Kolkata. It intends to
delve into the precise details of the artist’s life so as to expose the
obstructions in the way and experience the journey of the artistic soul.
Director - Mr. Debesh
Chatterjee has had a
long and successful association with Bengali theatre. As an actor, he has acted
in various films for over five years. Natoker Moto (Like a
Play) is his directorial debut in Bengali cinema.
Actor Ms. Paoli Dam is an accomplished Indian film
actress; she has acted in various Bengali, Hindi and Konkani films. She
received international acclaim for her role in the 2011 Bengali film Chatrak, which
was screened at film festivals in Cannes and Toronto. She made her debut in
Bollywood with her much-appreciated role in the film ‘Hate Story’.
2. Daddy
Grandpa and My Lady – Indian Panorama (Non-Feature)
In Daddy, Grandpa and
My Lady, a Korean woman
Yuna moves into a small Indian city, where the neighbouring house is occupied
by an old man who lives with his son and grandson. Yuna is trying to deal with
the tragedy of losing her child a few years back and has come to India to work
and escape from her pain. All three of her neighbours, both men and the boy,
all belonging to different generations, fall in love with her in their own way.
Director Kim Jung Hyun completed his graduation
in Film & Media from Dongguk University, Seoul and did his
post-graduation in direction and screenplay writing from Satyajit Ray Film and
Television Institute, Kolkata. He resides in the Republic of Korea.
Through the film, the Director
wishes to convey that men are the same everywhere; their longing for a woman
never disappears no matter how old they are, but the way they deal with it
differs as they get older and wiser.
Export the beauty
of India and its culture- Pierre Assouline
“Extravagant India” International Indian Film Festival in France
“Extravagant India” International Indian Film Festival in France
Showing of poverty, beggars and slums in the Indian
cinema is a myth. A lot of good cinema is being produced in India which needs
introduction to the lovers of cinema across the world. This was observed by
Pierre Assouline, a noted film producer based in France and India. During his
interactions with media at IFFI 2015, Pierre said “Many Indian film-makers have
wrong notions that to go in international acceptance, they must show miseries
of India and exploitation of women. They think that this is what appeals to the
western audience. This is a complete myth”. The French director added that
India has so many beautiful dimensions which must be presented before the
international audience.
Referring some of latest experiments being made by new
wave directors, he commented that it is matter of great satisfaction that
Indian Cinema is coming up to have its place in World Cinema ,though a little
late.
Pierre Assouline produced “Vanaprastham directed by Shaji
Karun, the famous Malayalam director. The film is considered a classic from
India. He is also the President of “Extravagant India”, the film festival being
held in France to present independent films from India. It showcases both
feature films and documentaries of Indian Cinema from all regions. Besides
competition section, the festival also has the section of Indian Classics,
Retrospectives and Bollywood. Festival will show case 26 films in all.
To be held in October 2016, at Champs Elysees the grand
Indian Festival, will it be taken to other places of France and Netherland.
This will be the third edition of the festival
Briefing about the proposed festival, the Director of
festival, Gabriele Brennen said “The Festival has already become
the reference for the best of young Indian Cinema and has the ambition to
become the door for Europe to the Indian films. She observed “Indian Cinema is
extremely beautiful and why the people of France should not be introduced to
this?” She said the festival helps to understand Indian Culture across the
Europe.
Ramesh Tekwani, the Indian Co-coordinator of the Festival
and producer of many outstanding short films and documentary said the festival
has introduced whole gamut of Indian Cinema to French people, especially
independent cinema. Now the people know that there is more to Indian cinema
than just Bollywood.
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National award
winning film ‘I Cannot Give You My Forest’ inspired by the issues of Niyamgiri
Adivasis
Directors Nandan Saxena, Kavita Bahl, Barun Chanda, Sankar Debnath interact with media at IFFI 2015
Directors Nandan Saxena, Kavita Bahl, Barun Chanda, Sankar Debnath interact with media at IFFI 2015
Nandan
Saxena and Kavita Bahl’s film ‘I Cannot Give You My Forest’ is the story of
Struggle for the survival of Adivasis in Niyamgiri. The main theme of the film
is an intimate poetic window into the lives of the Kondh, the original dwellers
(Adivasis) of the forests of Niyamgiri in Odisha State.
“In a simple term this film is
about those peoples relationship with the forest”,Kavita stated. It highlights
environmental issues and focus on struggle of tribals in day-today life.
The
film has won this year’s National award in the category of Best Environmental
Film.
Bengali
Filmmaker Barun Chanda elaborated about the film ‘ Sohra Bridge’, the Story of
a daughter who embarks on a journey, across the remote expanses of North East
India, looking for her father. She finds herself drawn towards a complex
labyrinth of memory of imagination.
‘Cherrapunji’ is known as
‘Sohara’ by locals. So, the title is inspired from that, said Barun Chanda.
Briefing
about his work, Director, Sankar Debnath of ‘Pakaram’ said, “I always searched
myself through my work”. The Bengali film revolves around a 10 year old
myriad boy, Tapu. He is forever wandering in a world of dreams and fantasies,
and expresses himself and his reveries through his paintings.
Sankar
Debnath said, “I wrote the story of Pakaram as an ode to my childhood memories,
of dreams and imagination, and of the wonder of the natural surroundings in
which I grew.”
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Sri Lankan Film
Industry witnessing transition in the post war period; Film makers seek more
government support
Directors of the Sri Lankan Film Dirty, Yellow Darkness Kalpana and Vindana
Ariyawansa today said they feel great to be in India on featuring of their
first film at the 46th International Film Festival of India.
Interacting with media persons at a press conference at Media Centre on the
sidelines of IFFI the duo said India Cinema have played a great role in
influencing Sri Lankan cinema. The Sri Lankan Film industry which could
not grow initially due to the war period is now witnessing a transition due to
west. However, the Srilankan government is not funding the film industry but
wants more foreign production of films in the country, said Ariyawansa.
The film deals with a well-educated Vishwa, who has a successful career in
advertising and a beautiful wife, Samadi. But he suffers from severe obsessive
compulsive disorder, which he painfully conceals from the world on a daily
basis…. Specially, he fears his own urine and feels that it’s contaminating
everything around him. Unable to endure his eccentric and strange behaviour,
Samadi leaves him and moves in with her parents. Lonely Vishwa loses his job
and descends into a life of prescription drug abuse. Vishwa reluctantly admits
himself to a public mental hospital, knowing there will be heavy social
consequences in a culture that greatly stigmatizes mental illness. At the
hospital, Vishwa’s eye-opening and often hilarious encounters with the other
patients give him a new appreciation for life, helping him to realize all that
he has neglected. His blissful memories of Samadi are reawakened and he insists
on returning home after only two weeks with the hope of reuniting with his
estranged wife….
Kalpana Ariyawansa : Colombo-born graduated with a BFA from Columbus
College of Art and Design in Columbus, Ohio. He worked as a concept and
storyboard artist in the animation and ad industries in the US. In 2012,
Kalpana worked as assistant scriptwriter and line producer on Prasanna Vithanage’s
With you, without you.
Vindana Ariyawansa gave up his college career to embark on independent
studies in filmmaking while in the US. After returning to SriLanka in 2004, he
worked as a consultant in marketing, media and IT technology, and as a
copywriter. In 2011, he began writing reviews of Hollywood films for Sri
Lanka’s oldest arts newspaper, Sarasaviya.
Ferdinando Cito Filomarino, The Director of the film ‘Antonia’ while
interecting with the media persons said his film is being premiered ever, first
at the film festival. Filomarino first made a splash in Locarno in 2010 when
his atmospheric short “Diarchia” starring Louuis
Garrel, Riccardo Scamarcio and Alba Rohrwacher, scooped the Pard
of Tomorrow and went on to earn an honorable mention at
Sundance. “Antonia” is produced by Luca Guadagnino,
whom Filomarino worked for a.d. on “ I am Love”. “Antonia” is
similarly set in Milan’s high society, albeit during the 1930s.
Brian Perkins- The Director of the film Golden Kingdom and Jai Hogg,
Assistant Director of the film Sunset, Tailgate and Tinted who also interected
with media said that the Indian audience will enjoy their films. American
filmmaker Brian Perkins has travelled extensively through the remote parts of
Asia and India. After creating a network of relationships in the monasteries
and villages of Burma---picking up conversational Burmese along the way—he was
in a unique position to bring GOLDEN KINGDOM to audiences, meeting all the
extreme challenges shooting on location in the country provided.
A student at both New York University and UC-Berkeley, Brian received
numerous acknowledgements and prizes during his studies. He has directed
numerous music videos in Los Angeles and New York City, and was involved in
Alma Harel’s BOMBAY BEACH (2011), which was premiered at the Berlinale and won
the Tribeca Film Festival’s top prize that year.
In 2013, Perkins founded Bank and Shoal, an independent feature film
production company with offices in the United States and Germany. Bank and
Shoal is dedicated to bringing intelligent and impactful projects to audiences
in the United States, Europe and the world. GOLDEN KINGDOM is Brian Perkin’s
debut feature film.
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