46th IFFI celebrates Shashi Kapoor with a special Retrospective on his works
46th IFFI celebrates Shashi Kapoor with a special Retrospective on his
works
The Retrospective on Shashi kapoor a matter of pride: Kunal Kapoor
The Retrospective on Shashi kapoor a matter of pride: Kunal Kapoor
Kunal Kapoor, the
son of the noted actor, producer, filmmaker Shashi Kapoor interacted with the
media here today to give details of the special retrospective on Shashi Kapoor
which opened at IFFI 2015 yesterday. The retrospective opened with the screening
of the film Junoon. Shashi Kapoor, the handsome actor of yesteryears and famous
for his chocolaty looks has been given the Dadasaheb Phalke Award for the
year 2014.
The special
retrospective on Shashi Kapoor will screen eight films from ‘ The Householder’
to ‘Muhafiz’, covering more than three decades of
his career. One of the earliest actors to go international, his versatility as
actor made him an incredible asset in both artistic and popular cinema.
The films to be screened under retrospective include Deewar, Junoon, Kalyug,
Muhafiz, New Delhi Times, "Shakespearewallah", The Householder
and Utsav.
Addressing the
press conference, Kunal Kapoor said that it is a matter of honour that his
father was awarded the Dadasaheb Phalke award this year and a retrospective
is being organised on him at IFFI, 2015. He said that his father, Shashi Kapoor
has grown in theatrical background as he has been associated with the Prithvi
theatres. Prithvi Theatre is one of Mumbai's best known theatres and was built
by Shashi Kapoor in memory of his father Prithviraj Kapoor , Kunal explained.
Shashi Kapoor has contributed to the continuity of Prithvi Theatre after the
death of his father Prithviraj Kapoor. This is a ‘constructive tribute’ to his
father, he said.
“We are striving
to take forward the legacy of the great Prithvi Raj Kapoor in various ways and
restoration of the films of my father is one of them” , said Kunal. We
are now trying to restore the films of Shashi Kapoor since restoration,
maintenance and preservation of films is very important to carry forward the
legacy for the younger generation to see it. “ I thought of restoring the films
made by my father and much to my shock I found them lying in our garage”,
disclosed Kunal . Junoon has been lucky from restoration point of view but
Utsav is less fortunate since it got damaged in floods. A copy of Utsav has
been found with NFAI which will help them in the task of restoration,
Kunal explained.
Shahsi Kapoor was born
in 1938 as Balbir Raj Kapoor, he was the youngest of the Prithviraj Kapoor's
four children. He entered into acting at an early stage while touring with his
father, Prithviraj Kapoor, and his theatre group, Prithvi theatres. Shashi
Kapoor's first film as a lead actor was Dharmputra (1961) and
he went on to appear in around 116 Hindi films. Char Diwari (1961)
marked the onset of the century which saw his rise to stardom. He also worked
in numerous American and British productions. He started doing English language
films in 1963, the first being Merchant Ivory's The Householder co-starring
Leela Naidu. This was followed by several other films such as Shakespearewallah (1965), Heat
and Dust (1982) and In Custody(1994) amongst
others. At that time, he was one of the first Indian actors to have worked
extensively in Hollywood projects. He won National (special jury) Award for his
performance in Muhafiz (1993) and New Delhi Times (1986).
In 1978, Shashi Kapoor built Prithvi Theatre in Juhu, Mumbai, in the memory of
his father, to promote professional theatre and to develop an audience for
theatre. At the same time he also set up his production house 'Film-Valas'
which produced critically acclaimed films including Junoon (1978)
for which he won the National Film Award for Best Feature Film in Hindi (as
Producer), 36 Chowringhee Lane (1981) andUtsav (1984).
Shashi Kapoor put his own money into Prithvi Theatre (now a landmark Theatre in
Mumbai) and the films he produced. He believed in giving back to the industry
that had supported him all his life. His genuine congeniality, his equal
treatment of cast and crew, his unbiased generosity and undying charm
contribute in making him a man the Indian film industry adores. In 2011, he was
honoured with the Padma Bhushan by the Government of India.
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A sound designer is somebody “who uses sound to tell stories” feels the
Hollywood Sound Designer Mark Mangini
A Sound designer
is not a mere synchroniser of sound, but is the overall planner with a vision
on how to use sound and its effects for storytelling feels the famous Sound
Designer and Sound Editor of Hollywood , Mark Mangini. Mark has worked on such
notable films as: Raiders of the Lost Ark, Gremlins, Die Hard, Star Trek,
Beauty and the Beast, Aladdin, The Fifth Element, The Green Mile, Warrior and
Jack the Giant Slayer.
Interacting with
the media at IFFI, 2015 here today, Mark Mangini said that the sound designer
is required to work in close association with the director on every minor
detail for effective use of sound in story-telling. Responding to a question
whether he missed anything as the technology transformed from analogue to
digital, he said that analogue forces you to hear each and every sound and
develops as well as disciplines your sense of hearing. A sound can convey different
moods and emotions, it can be thrilling or terrifying or pleasant, he
explained.
Three time Academy award nominated Sound Designer,
Musician, Re-recording mixer and Lecturer, Mark Mangini has made his life's
work creating unimagined aural worlds and fabricating sonic realities for
theatrical motion pictures. He is currently (2015) a Governor of the Academy of
Motion Picture Arts and Sciences representing the Sound Branch.
Mangini has
received the following Oscar nominations for Best sound Editing:
· 1986 Academy Awards: Nominated
for Star Trek IV: The Voyage Home.
· 1992 Academy Awards: Nominated
for Aladdin.
· 1997 Academy Awards: Nominated
for The fifth Element
·
Having grown up a
musician, he is avowed of the idea that all organized sound is music. A Boston
native, he went to university as a foreign language major but could not ignore
his love of film and filmmaking. He moved to Los Angeles at 1976 and landed his
first job in the entertainment industry in the sound department of Hanna Babera
Studios at the age of 19.
He is currently a
sitting governor of the Sound Branch of the Academy of Motion Picture Arts and
Sciences.
*********
Casting director is a bridge between the talent and the producer: Nancy
Bishop
Nancy Bishop, Casting Director member Casting
Society of America said that in America Casting Director works for production
while talent agents represent actors. “I understand casting process in India is
different” she added. Nancy was addressing a press conference at IFFI, 2015
here today. About a question on casting couch, she admitted with reservation,
it does exist at some level. Regarding places looking for talent, she said she
takes workshops in various countries and also goes for street casting when a
totally unknown face is required. Neither producer nor cast director but it is
the financer who has final say in deciding cast in most of the cases. Casting being
a creative process, time taken in finalising the cast depends on the project,
she replied to another question. She will also take the Master Class on
Wednesday at ongoing IFFI, 2015.
Nancy Bishop, C.S.A. is an Emmy nominated casting
director, who works internationally with offices in London and Prague. With
nearly one hundred major feature films and television projects among her
credits, Nancy has cast hundreds of actors throughout Europe, the U.K.
and the U.S. Nancy has been retained as casting director by dozens of
major screen producers and directors, including Brad Bird (Mission Impossible
IV), Roman Polanski (Oliver), and Ridley Scott (Child 44). She also was
nominated for an Emmy Award for her casting work on Anne Frank: The Whole
Story, ABC/ Disney Studios.
Nancy is a native of New England and trained as an
actor and director at the University of Michigan and the National Theatre
Institute. She earned a Master’s of Arts degree in theatre at Northwestern
University. Nancy began her career as an actor, director and acting teacher in
Chicago. In the 1990s, she helped to found two cutting-edge theatre companies
that are still going strong today: Strawdog Theatre and Theatre Oobleck.
In the early 90’s, Black Box Theatre lured Nancy to
Prague, where she produced and directed a number of plays, and launched touring
productions throughout Europe. This time period is ironically
portrayed in Rex-Patriates, a mock-documentary film that Nancy produced and
directed. Now in addition to casting Nancy continues to guest lecture
internationally, offering on-camera master classes and seminars to develop
actors’ on-camera skill and career marketing.
In 2009 she founded the Acting For Film Program, at
the Prague Film School, which offers an intensive, conservatory style training
(half year of full year) program for actors in English. She is also very
active on the International film Festival Circuit, where she regularly produces
and partakes in panel discussions and symposiums on the casting process. She is
a member of the Casting Society of America and the International Casting
Directors Network.
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